segunda-feira, 31 de dezembro de 2012

Carl Sagan


I went to the librarian and asked for a book about stars …And the answer was stunning. It was that the Sun was a star but really close. The stars were suns, but so far away they were just little points of light …The scale of the universe suddenly opened up to me. It was a kind of religious experience. There was a magnificence to it, a grandeur, a scale which has never left me. Never ever left me.

quinta-feira, 20 de dezembro de 2012

Clipe do Dia nº 479


Chet Baker, "Bye Bye Blackbird".

quarta-feira, 19 de dezembro de 2012

Clipe do Dia nº 478


Otis Spann e Muddy Waters interpretam "Nobody Knows My Trouble" no Copenhagen Jazz Festival de 1968.

segunda-feira, 17 de dezembro de 2012

domingo, 16 de dezembro de 2012

Clipe do Dia nº 476


Rock inglês dos anos 1970. Quase que por definição não tem como não ser excelente.

Iluminismo


 Quem consegue lhe fazer acreditar em absurdos, consegue lhe fazer cometer atrocidades.
-Voltaire, Iluminista francês (1694-1778)

quinta-feira, 13 de dezembro de 2012

Coreias



No coreano (한글), cada "letra" na verdade é uma sílaba... Enquanto que na Coreia, cada país deveria ser um só. E deveria ser tudo Coreia do Sul.


P.S. Ah, e tinha a grande coreia do Beira-Rio também!


quarta-feira, 12 de dezembro de 2012

sexta-feira, 7 de dezembro de 2012

Hitchens


Ah, como eu gostaria de ter um pensamento rápido e uma língua ferina iguais aos desse cara.

quinta-feira, 6 de dezembro de 2012

Earth at Night


A NASA me emociona.

Fonte: http://www.nasa.gov/multimedia/imagegallery/image_feature_2403.html

E tem o vídeo que é legal também.

Clipe do Dia nº 475


É demais essa música. Me faz pensar que o Rio vai encher de gringo durante a Copa. Que é logo ali.

quarta-feira, 5 de dezembro de 2012

Clipe do Dia nº 474



Baixei o documentário, só me falta as legendas. Pra ver com a Morena.

segunda-feira, 3 de dezembro de 2012

2001


KUBRICK: It's not a message that I ever intend to convey in words. 2001 is a nonverbal experience; out of two hours and 19 minutes of film, there are only a little less than 40 minutes of dialog. I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the subconscious with an emotional and philosophic content. To convolute McLuhan, in 2001 the message is the medium. I intended the film to be an intensely subjective experience that reaches the viewer at an inner level of consciousness, just as music does; to "explain" a Beethoven symphony would be to emasculate it 
by erecting an artificial barrier between conception and appreciation. You're free to speculate as you wish about the philosophical and allegorical meaning of the film -- and such speculation is one indication that it has succeeded in gripping the audience at a deep level -- but I don't want to spell out a verbal road map for 2001 that every viewer will feel obligated to pursue or else fear he's missed the point. I think that if 2001 succeeds at all, it is in reaching a wide spectrum of people who would not often give a thought to man's destiny, his role in the cosmos and his relationship to higher forms of life. But even in the case of someone who is highly intelligent, certain ideas found in 2001 would, if presented as abstractions, fall rather lifelessly and be automatically assigned to pat intellectual categories; experienced in a moving visual and emotional context, however, they can resonate within the deepest fibers of one's being.

A religião secular do século XX



Marxist eschatology actually mimicked Christian doctrine. In the beginning, there was a perfect world with no private property, no classes, no exploitation, and no alienation – the Garden of Eden. Then came sin, the discovery of private property, and the creation of exploiters. Humanity was cast from the Garden to suffer inequality and want. Humans then experimented with a series of modes of production, from the slave, to the feudal, to the capitalist mode, always seeking the solution and not finding it. Finally there came a true prophet with a message of salvation, Karl Marx, who preached the truth of Science. He promised redemption but was not heeded, except by his close disciples who carried the truth forward. Eventually, however, the proletariat, the carriers of the true faith, will be converted by the religious elect, the leaders of the party, and join to create a more perfect world. A final, terrible revolution will wipe out capitalism, alienation, exploitation, and inequality. After that, history will end because there will be perfection on earth, and the true believers will have been saved.
- Daniel Chirot & Clark McCauley apud Steven Pinker, "The Better Angels of Our Nature"